Welcome to another edition of Po Politickin. In this episode, we politick with Domi Young. Domi is a rising star in the San Diego hip hop scene. Domi discusses taking his music globally, staying humble, and his latest project entitled “Young, Broke, & Brilliant”.

Welcome to another edition of Po Politickin. In this episode, we politick with DC rapper Garvey The Chosen One. Garvey discusses his drive to win, initiating change, and his latest project “Graveyard Shift” hosted by Bigga Rankin.

Welcome to another edition of Po Politickin. In this episode, we politick with singer/songwriter JoBee. JoBee’s mission is to evoke genuine feelings with genuine music and lyrics. JoBee talks about his military service, perfecting your craft, and his latest projects.

 Welcome to another episode of Po Politickin. In this edition, we politick with El Paso, Texas rapper Mike Corleone. King Co discusses the indie grind, being the “most known unknown” underground rapper, and new projects.

The homie Ro Rich was in the house filming the “NO CEO – 16 Bar Challenge Finale”. The three battle tournament featured some of the best battle rappers in San Diego.

Welcome to another edition of Po Politickin. In this episode, we politick with Yo Gotti protege Zed Zilla. Zilla talks Memphis rap, being the first artist on Gotti’s Cocaine Muzik Group imprint, and his latest mixtape hosted by Bigga Rankin entitled “Rent’s Due”.

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By Mehka @mehkavelli

Since I was a little kid, I wanted to be a journalist. I was always in awe of the people I would read in newspapers and in magazines and how they were able to capture the minds of a reader just by how they put words together. It’s truly an art to writing a story and very few people can truly master that art. Growing up, I was a huge fan of hip-hop as well. Rap was the sound of my generation, and as much as the rappers themselves were the voices, it was the journalist that made hip-hop something that was not just accepted in the hood, but in the mainstream as well.

There were rappers who I came up admiring like Chuck D, but I was always more of a fan of those who covered the culture. Bonz Malone, Dream Hampton, Kim Osorio, P. Frank Williams, Erik Parker these are the people who for better or worse shaped my mind. These are the people who helped me to think and write critically. These are the people who helped me find my literary voice. I’m honored to have been able to read some of these great writers during a time when money and fame took the backseat to quality and consistency.

Fast Forward to 2011 and I feel like writers like that are missing from the game today. While there great writers who specialize in Hip-hop still patrolling the newsrooms and the blogosphere, there seems to be confusion as to what a journalist is supposed to do. When you read magazines or check out blogs, you get the feeling that writers today feel like they should be pursuing stardom more than penning bias free work that sparks debate and conversation. No longer are writers in the background. No, they’re in the spotlight as much if not more than the artist they cover. I was hit with a bold example of that this past week.

I’m online, checking out some stories on a few blogs that I do regularly read when I saw a post for Rick Ross’s new mixtape “Rich Forever.” Seeing a mixtape cover on the front page of a blog as if that was news was shocking enough to somebody like myself, but what I read on the cover almost made me want to throw a chair at my computer. The cover of the mixtape read “Hosted by Dj Scream and Shaheem Reid.” Seeing Dj Screams name on the cover shouldn’t be a shock. He’s a highly respected Dj. The name that shocked me was Shaheem Reid.

Now for those un-familiar with the name Shaheem Reid, he is a very respected journalist and historian of the culture who recently took on the position of Editor at Large for XXL. Why is that important you ask? Because if hold any position at a magazine, your job is not to host mixtapes!

Are we serious? That is a huge conflict of interest. You cannot honestly tell me that you or your editorial team can be unbiased towards Rick Ross or his label Maybach Music in anyway shape or form. By putting your name on this man’s mixtape as a co-host, you pretty much personally co-signed this man and his music. That means any review, any interview, anything that XXL does for Rick Ross or Maybach Music should come under scrutiny. This is no different than Julia Beverly openly letting people know that you can pay for the cover of Ozone Magazine, or Benzino and Dave Mays using the Source as a personal journal to attack Interscope records. In both of those cases, when the practices of those magazines got out to the public the credibility of those magazines and those in charge came into question. As they should’ve!

This move alone brings into question a lot of XXL’s decisions. Namely, the XXL Freshman cover. It’s one thing to have people assume that it’s all politics involve with who’s selected. Now that your EIC is hosting mixtapes, I’m almost sure that people will now look at the list as some “favor for a friend friend” list as opposed to a collection of the cultures best and brightest stars.

I don’t care if you’re a hip-hop journalist, the key word in your title is journalist. As a journalist, your job is to be un-biased. You’re is not to openly support one side or appear to support one side. Your job is providing a fair, balanced account of a story and nothing more. These writers today are looking like groupies who are hoping more to get a side job with an artist or label rather than provide an accurate store.

I’m sure Mr. Reid didn’t see this being a problem. In reality, it probably won’t be a problem. I doubt anyone in the industry will really say anything about this being wrong because there are so many journalist and bloggers in the pocket of artists and labels today. I think that that this is something that could become a bigger issue for journalists over all though. Print magazines are becoming dinosaurs, and blogs are what’s hot, but no one really patrols blogs for accuracy. That’s what we went to print mags for and if the ones that have survived recessions and down-sizing are now looked at as corporate shills, then where will we go to accurate, quality reporting on our culture? BET? MTV?

Keeping a balance between being in the corporate world and being true to the culture is a thin line to walk and I don’t fault those who stumble. I just hope that they walk it a little more carefully next time.

Mehka,
NC Contributor SLAM magazine
Online contributor Slamonline.com
Reviews ed. yoraps.com
president, Invisible Man Media
myspace.com/invisiblemanmgmt
twitter.com/mehkavelli

Bleed Ambition Music Group (B.A.M.G) Prepares Next Hip Hop Digital Mixtape Release “Centurion: Fugitive Of Rome” Hosted By Dj Smacksilly of Maybach Music Group/Don Logan DJ’s (Owned By “Gunplay” of CCC) /Cool Running DJs & Bilderburg Group, slated for a Christmas 12.25.11 release. This project is expected to feature brand new exclusive music from the likes of Izzie Fareal aka Reignman (MTV Battle Champion), 50 Cent, Joe Budden, French Montana, Jim Jones, Slaughterhouse, Lil Wayne, Sheek Louche, Red Cafe, Drake, Hell Rell & countless others. SmackSilly is the official DJ of Don Logan DJ’s, Gunplay of Triple C’s and Maybach Music Group. Smacksilly has also joined forces with one of the biggest dj’s in the south Bigga Rankin’s Cool Running Dj’s.

Every few years, the public is presented with an iconic movement. An undeniable force, that is predestined to influence and make its mark. This movement is Bleed Ambition Music Group. From now and going forward, we will prove and show the world, why we are *Number one* in the Hip Hop Mixtape circuit. We would like this release to represent the beginning of a hostile takeover in the music industry. A great way to close out 2011 and lead our way into 2012 with a “BAMG”. “I would just like to make something very clear. This project (and ALL mixtapes going forward) differentiates itself from our other projects, because we have actually reached out to the artists listed and they have provided us with exclusive/brand new musical content. We would like to thank all mainstream artists who have done so, believing in our brand and online presence, as we strive to dominate the Mixtape Market

- Avalon Artorius
“C.E.O” of Bleed Ambition Music Group Insure Success Insure Success Management
*Official Website: http://www.insuresuccessforall.net The Nation’s Largest Marketing & Promotional Platform For Performing & Creative Artists #1 In The Arts & Music Director Of Marketing
Twitter: @AvalonArtorius Facebook: Avalon Artorius BBM Pin: 31748E19 Executive A&R of Bleed Ambition Music Group: @ChrisIovineBAMG Official Hip Hop Blogger for B.A.M.G : @IBlogHipHopBAMG

Rapper Bio -

“Never judge a book by its cover”, especially when you think of a rapper named Seth Narley. He’s a paleskinned, piercing blue-eyed rapper, who can be misconstrued as another Eminem gimmick. If that is whatyou believe when you see rapper “Seth Narley”–born Raymon Calleja–, you definitely have another thingcoming. Seth was born and raised in the borough where Hip-Hop first originated, in the summer of ’89.When asked who his greatest influences in life are, he said his mother who was addicted to drugs, and hiscousin who was shot 16 times whom survived to tell the story. Being surrounded by these sources ofstrength; it’s obvious where Seth gets his precocious demeanor.

As a teen, he would wander throughout the streets of SOHO alone; rapping, and “dreaming of a betterlife”, he says. This influenced Seth artistically, and stimulated his already advanced mind. Seth dropped outof college his freshman year, and decided to take his rap career seriously. Since then, Seth has dropped sixmixtapes, and has an EP slated for the 4th of October, called ‘The ($)IGMAFLY EP’. Throughout hiscareer he has collaborated with Fred Da Godson, ASAP Rocky, Show Tufli, and others.

Seth is clearly obsessed with detail, and fastidious when it comes to wordplay. When Seth is in the studio orperforming, he flows like he’s actually living in his rhymes, which makes it evident that rapping is one ofhis outlets. He said, “I would describe my music as refreshing, and genre bending. Meaning that I can beon a track with Jim Jones, and also do a track with Taylor Swift”. With his laidback, genuine, cerebral andclever character, Seth doesn’t forget where he’s come from. This super-talented rapper is built for success,and he plans to share his story with the people.

Follow on twitter @SethNarley + @TeamSethNarley